The Break – Katherena Vermette


“The dead don’t hang on, the living do. The dead don’t have anything to hang on to. Our bodies become nothing, and we just float around the people who love us. We go back to nothing. That is all we ever were or should ever be.” – Katherena Vermette, The Break

Happy new year! Over the holidays, I finished The Break – it was one that I’d started months ago but I’d never completed. My dad was actually the one who recommended it to me–he loved the story and thought I might too. So, without further ado, here’s my review of Katherena Vermette’s debut novel, The Break.

This story is one of family ties, bonds, and unrest. It begins with a shocking catalyst that sets the novel up for tragedy right from the get-go–a violent attack that happens in the middle of winter out on “the Break”, a stretch of empty land in Northern Manitoba. From there, readers get glimpses into the lives of those directly and indirectly affected–from the victim herself to her mother, her aunts, her friend, grandmother, the police officer on the case, and even her attacker. The novel is exploratory and deals with the heavy emotional baggage that comes with experiencing an assault. Specifically, Vermette dives into the lives of intergenerational Métis women from Manitoba who are juggling being mothers, partners, good daughters, and sisters. The men in the novel are also masterfully illustrated. Vermette skillfully weaves sorrow with nostalgia and light-heartedness, making for a beautiful story that hits hard in its message. Unlike a traditional “crime” novel, The Break does not focus so much on finding evidence and cold facts; it takes time with characters, their inner and outer changes, and their relationships with each other.

The Break felt like a journey to me. Not only was I along for the ride with these characters, but it was also like I was watching Katherena Vermette feel out her first novel. The charm of it was unmistakable, with a few typos here and there, a family tree drawn at the front of the book so you could keep track of who’s who. It’s difficult to share all of my thoughts without spoiling the novel, so I won’t, but there are many things that stood out to me that are safe for spilling.

The chapters are structured in a way that I’ve been known to hate–each one is told from a different character’s perspective. Sometimes I did have trouble remembering who was related to whom, who was older and who was younger, etc. That being said, it didn’t stop me from enjoying the book, because I was warned that I might lose track (and the family tree definitely came in handy). By the time I’d finished reading, I realized that the formatting of the chapters was almost necessary to understand all of the sides of the story. Putting aside the logistics, Vermette’s writing was very comfortable. It felt conversational, or like I was really running through the jumbled-up thoughts in somebody’s head. At times in the middle–as many novels do–it droned on and lost momentum, but I still tore through the ending and finished it with tears in my eyes. Sometimes it was expertly nuanced, and Vermette left things unsaid, but, other times it was a little too on-the-nose for me. There’s a really interesting subversion of expectations which I can’t mention without spoiling the novel… but let’s just say, there was a certain character that fascinated me, angered me, and broke my heart all at once.

I found the most pleasure in reading the chapters of smaller characters, like Kookom Flora–the mother and grandmother to most of the characters, Zegwan–a young girl who finds herself in the middle of the attack, and Tommy–a Métis police officer who I found myself really rooting for, unexpectedly. As I mentioned before, the book has its happier moments, but most of the time the characters are wallowing in regret, or sadness, or both. Fortunately, it’s never tiresome in a “here we go again” sort of way. It’s gut-wrenching, it’s real, it’s raw, and it makes you stop and think. However, it’s heartbreaking to know that the novel is only a small glimpse into reality. The book could never go into all of the real-life struggles that many Indigenous Canadians face, but it is an illuminating snapshot. I was partially drawn to this novel after having done a lot of research on Canada’s National Inquiry into Missing and Murdered Indigenous Women and Girls in the past. The heartache of the people in this novel runs deep, and I believe that Vermette captured this wild Canadian spirit in her writing that connected with me. I’m pleased to see that it has won as many awards as it has, because the novel is truly well written. Even if you aren’t Canadian, I encourage you to give the book a try if it interests you. After reading many reviews, I’ve noticed that even people who didn’t love it still recognized and connected with the message. I hope to see more from Vermette in the future, but for now, some of her simplest lines will stay with me. Because after all is said and done, there is so much beauty in simplicity, and so much pain too.

The cycle of poverty, homelessness, alcoholism and drug abuse, violence, and gang activity is thoroughly explored in The Break. It deals with detailed depictions of rape, assault, and grief. It is an intense book that is held together by the unchanging love that the main characters have for one another. Putting it down left me feeling sad yet hopeful, as Vermette’s words were chosen with such care.

Thanks for stopping by, and as always, happy reading (and happy 2018!).


The Passenger – Lisa Lutz


“You can never see anything clearly when you’re running.” – Lisa Lutz, The Passenger

Hey, look! I read another thriller book! How surprised are you? It’s becoming a bit of a trend these days. Not too sure why; I promise I’m not planning a murder. Anyway, I’ve just finished The Passenger by Lisa Lutz. Here are my thoughts.

Tanya Dubois had nothing to do with her husband’s death. Or at least, that’s what she claims when we first meet her- our unreliable narrator. About as quickly as you could fall down the stairs… Tanya makes a run for it, and clearly, it isn’t her first time doing so. Tanya forms an unlikely bond with a woman named Blue and drinks ten times her body weight in whiskey, but still manages to stay on the run. Throughout the book we’re introduced to our protagonist multiple times- under different names and identities- but is it possible for her to hide from her questionable past? Something happened ten years ago, and it’s coming to the surface once again.

The premise of the novel is not that revolutionary, it’s something we’ve all seen before. That being said, it was executed fairly well. The pacing was consistent and I never fell into a rut where I couldn’t pick up the book again. You can have a lot of fun with an unreliable narrator, and this novel, in particular, had one that captured my interest. Tanya (as we’ll call her for now… although she does go by many other names) manages to keep her past a secret until the very end. I did pick up on clues and hints along the way, and by the time I had about a third left I had a general idea of what was going to happen. I was still intrigued and didn’t find the story to be overly predictable. 

The small cast of supporting characters- like Blue, for instance, added a great dynamic to the story. I really enjoyed reading about the relationships that Tanya formed, especially since she would often have to let them go to stay under the radar. The parts I liked the most, though, involved Tanya on her own, alone with her thoughts in various strange situations. Lisa Lutz is quick-witted and clever- even the title, The Passenger, seems to have no correlation at first, but it becomes clear eventually why it was chosen. She manages to inject some dark humour into her writing, which allows you to immerse yourself in Tanya’s world. I especially enjoyed that because I saw my own sense of humour and style of speech in this novel. Each section or chapter also ends with an email from Tanya’s past, and slowly, we can piece together the real reason why she is running, which I thought was a nice touch. There were several occasions where I didn’t want to stop reading because the moments of true suspense were very well written, but to be honest, they were few and far between.

Now I’ll move onto the other side of the coin. I found this novel to be repetitive. Every time Tanya takes on a new identity, she undergoes the same process of altering her appearance and figuring out how best to conduct herself under the new name. I mentioned this next thing already, but Tanya drinks like a fish, and that’s pretty much the only character trait she keeps during the whole story. Another thing that bothered me was (and this really isn’t that much of a spoiler- it happens in the first couple pages) the fact that Tanya’s husband Frank just fell down the stairs and died. I mean… it was a little too tidy and convenient (maybe even unrealistic? Or too realistic?) for my taste, and it kind of bugged me throughout the story. The whole attitude in this book surrounding death and murder is a bit sterile– or textbook, I should say.

The ending is what got to me the most. To me, a strong ending can make or break a novel, and in this case, I was slightly underwhelmed. Yes, we do get to find out what happened in Tanya’s past, and yes, we do get a classic wrapping-up of the events, but I felt disappointed.Maybe because the characters that deserved justice didn’t receive it, maybe because I sympathized with Tanya. Another thing: the “twist” with one of the characters didn’t surprise me at all. In any case, I liked the symmetry of the ending (you’ll know what I mean if you’ve read it).

To conclude, I will say that this story was one that managed to keep my attention and interest, but I wouldn’t say that I was fully involved in it. As I mentioned, some events and conflicts felt unrealistic to me and pulled me right out of the story, but the clever ideas and humour brought me in again. It had a nice flow and pace to it and didn’t take too long to read. Apparently, Lisa Lutz’s other novel series (The Spellman series) is a lot more popular, but fortunately (or unfortunately…) I’ve never heard of or read those books, so you’re getting my honest first impression of her writing. And I have to say, I did have a good time with this book.

Happy reading! x

Outline – Rachel Cusk

Rachel Cusk

“People are least aware of others when demonstrating their own power over them.” – Rachel Cusk, Outline

Outline is the first novel by Rachel Cusk that I have read. It is a fairly short contemporary fiction book, but despite its length, it took me way too long to finish it – and here’s why.

The story centers around a woman named Faye, who, when we meet her, is travelling from London to Athens to teach a writing course. On the way there, she strikes up a conversation with a Greek man who has plenty of stories to tell. Throughout the rest of the novel, we get to sit in on Faye’s conversations with the various people she meets in Athens. We gain some insight into her own personal life and see her detailed perspective on the world.

As you can tell, I don’t have much to say about this book. In fact, I’ve never had this little to say about a book. I checked it out of my school library for the summer because the cover page boasted a “Scotiabank Giller Prize Shortlist” sticker and a promise that it was an example of masterful writing. To say the least, I fell for it. I really wanted to read a great Canadian book, or hey, not even great- to be honest, I would have settled for good. Unfortunately, I was bored out of my mind reading this diary-turned-novel. It read like a student’s attempt at a philosophy paper. The only reason why I finished it was because I had some long train rides and nothing to do. And maybe also because I was excited to write a bad review for once on this blog… who am I kidding.

The “main character” is not really much of a main character at all. We learn only a few details of her life- which has the potential to be interesting, but unfortunately left me feeling utterly detached from Faye and her problems. The story went absolutely nowhere. I kept reading, expecting a climax or something, but all I got was another chapter with another drawn-out melancholic conversation between Faye and one of her Greek cohorts. The funny thing is, I found myself most interested in the part of the book where Faye’s students were sharing stories that they’d written for class. The rest of the book was rambling and lacked a grounded plotline. This led to me forgetting the names of supporting characters, and daydreaming while reading.

Admittedly, there are a few lines and ideas that struck a chord with me. The book’s largest overarching theme is womanhood (what it means to be a woman, the responsibilities of women in the modern world, etc.), and with that theme comes a few intriguing ideas, but hardly any of them are expanded upon. The book is stagnant, almost as if it doesn’t know what it is. I would have stopped reading after the first few pages, but it was the only book I could fit in my carry-on bag, so… here we are!

When I finally finished the book, a couple things stuck with me. The first was that I found myself laughing at the title. The book kind of feels like an outline. And if that is what Rachel Cusk was trying to achieve, more power to her. That’s actually pretty genius. I just wish she could have gone about it in a way that was a bit more exciting. The second thing I picked up on was that Faye was probably a reflection of the author- at least on some level- so it felt more like a memoir than a fictional tale. That being said, if I had gone into it expecting a memoir, maybe I would have enjoyed it more.

So many people rave about this story, and I hoped I would have been able to as well. At first, I enjoyed the sort of exploratory style of the story, but it got old fast. I’m starting to think I’m just not the type for philosophy. If that makes me small-minded, so be it. Maybe I’m not asking the right questions, or maybe I’m not giving this book enough of a chance. However, for every wonderful review, there is a scathing one, and that’s what I love about literature. I for one really enjoyed reading other peoples’ reviews- both the ones who loved it and the ones who hated it. I probably won’t be reading any more Rachel Cusk, not because I have some personal vendetta against her, I just have a lot I’d rather be reading (but as the saying goes, never say never). On the bright side, if you have any trouble falling asleep, this novel might do the trick for you.

…I’m kidding.

Thank you for reading my completely negative review! Hope it didn’t put you in a bad mood. I would love to know what you thought of this novel if you’ve read it. Maybe you can change my mind. Happy reading. Xoxo

PS: If you’re a Goodreads fan, feel free to add me as a friend! I update my progress on the books I’m reading there so you can see what’s coming next. I’d love to connect with you! Check me out here.

The Perfect Stranger – Megan Miranda


“All things return with time. But you have to go looking for them. You have to be ready for them. You’ve got to be willing to take the risk over and over again.” – Megan Miranda, The Perfect Stranger

This marks the second Megan Miranda novel that I’ve read. The first was the widely popular All the Missing Girls which you can read my review for here. This second book has a stunning cover page that matches the style of Miranda’s previous novel but The Perfect Stranger is not a sequel to All the Missing Girls. You can read this one without having read the other. Let’s lay this book out on the chopping block.

Leah Stevens is forced to leave her old life behind when she loses her big city job. Having once been a reporter at the top of her career, Leah finds herself wrapped up in a scandal that forever leaves an imprint on her reputation. Enter Emmy Grey, Leah’s saving grace. A girl that she’d connected with long ago reappears in her life, and this time, she’s looking to get out of the city. The pair starts a new life together in a small Pennsylvania town where they hope to leave the past in the past.

When Emmy goes missing, Leah’s new life comes to a standstill. What’s more, it begins to look like Emmy never existed at all. The police are unable to find any information about her past. Leah takes it upon herself to track her roommate down, but the small town starts to show its claws. People she thought she could trust change their stripes, two attacks happen near her home, and every moment without Emmy makes her realize how little she knew her. Leah’s situation is made all the worse because of her scandalous past, and she struggles to find the truth while keeping hers under wraps.

If you have read All the Missing Girls, you may have noticed a few parallels between it and this novel. Big city girl moves to small town, a girl that went missing, etc. It almost felt like Leah and Nic (the protagonist from All the Missing Girls) shared quite a few personality traits. Both are inquisitive beyond belief and both are very self-reflective, in that they pretty much analyze all of their own actions. This novel is written in first-person limited tense, so we’re stuck inside Leah’s head for the duration of the story. This does work, because it allows for suspense to be carried from scene to scene, and we discover secrets as Leah does.  However, as with any first-person novel, being trapped in the mind of one character can kind of grate on your nerves. At least, it did for me. Leah turned into a repetitive, rambling character towards the end. It felt like I was reading Megan Miranda’s thought process because Leah would constantly repeat things that we already knew about just to comment on them. My complaint about the last novel was that there was no real synthesis to the end, no denouement, which was not really something that it needed, it was just something I missed and that I like to see. One complaint I have this time around is that there was far too much denouement. Once the reader knows everything that Leah knows, there are still a few chapters left for Leah to reiterate her points and wrap everything up. I think it would be fair to say that I was dissatisfied with the ending because, in my opinion, the author built up the suspense only to leave me with an ending that I expected.

One more element that I was disappointed with was characterization, specifically within the fairly large cast of supporting characters. Leah is a teacher, and so she has a few colleagues that she interacts with, but nothing goes beyond face value. She goes out for drinks with her colleague Kate Turner, who then proceeds to ask her to go again a few more times, but nothing comes of it. It is mentioned that the principal of the school has a bit of a crush on Leah, but again, this is never brought up again as an interesting story point. There’s a “romance” (if you can call it romantic) for Leah that lacks any real substance, it’s all surface level stuff. What’s more, we don’t really get any background information for any of the characters besides Emmy, Leah, and a woman named Bethany Jarvitz who is involved in an attack. Of course, it isn’t necessary for supporting characters to be illustrated in detail, but there were a few characters that I would have liked to see the motives and thoughts of.

To be honest with you, the ending of this novel did kind of confuse me. It’s not that I didn’t understand what was happening– well, ok, it is like that. The motives of certain characters were so unclear, and it felt like Leah just sort of gave up on everything and rushed to her own conclusion. I did enjoy part of the ending, where Leah heads back into the city. The story takes place in the same three or four locations for the entire time, and so this was a welcome change. For about a page or two, the story picks up again and is more fast-paced, but then it slips back into its comfort zone and remains pretty safe for the remainder of the novel.

Now, I don’t want this to end on a sour note so I’ll go over some of the things that I really did enjoy about this book. I read the novel in stages, and during the first stage, I couldn’t put the book down. I really enjoyed the idea of “a person who never existed” and I was asking a lot of questions, theorizing, etc. The glimpses we get into Leah’s past are intriguing, and I liked seeing her put together the lost elements of Emmy’s life.

To be fair, I did have high expectations for this read as I was quite impressed with Megan Miranda’s previous novel. No, the book did not live up to my expectations and yes, I was left with a lot of questions and loose threads. I would recommend it, on the pretense that you’re looking for something quick, and that you aren’t too interested in complex character development. Megan Miranda does have a talent for writing suspense, and I will probably read anything she puts out in the future.

Thanks for checking out this review! Happy reading.


Atonement – Ian McEwan – Book Talk #1


“I like to think that it isn’t weakness or evasion, but a final act of kindness, a stand against oblivion and despair, to let my lovers live and to unite them at the end.” – Ian McEwan, Atonement

I’m sure many of you are familiar with Ian McEwan’s novel, Atonement. Perhaps you’re like I was, and you’ve either heard very good things or not so good things about it. Maybe you’ve seen the popular movie adaptation. Today I will share five different perspectives on this novel. But before that, let’s cover the basics.

I was drawn to this novel because of its protagonist, a young girl named Briony Tallis who dreams of becoming a writer. This was something that I could connect to, and maybe you can too. The fact that it is a historical fiction novel also sweetened the deal for me, though if you are not too keen on the genre, this one may not be for you.

Atonement dives deep into Briony’s life and her connection to her family. As a child, she witnessed the changing relationship between her older sister Cecilia, and Robbie Turner – a close family friend. Briony eventually commits an unforgivable act, betraying both her sister and Robbie in the process. For the rest of the novel, Briony must come to terms with the mistake she has made and suffer the consequences.

This novel is a classic example of the scandalous family drama, complete with romance, crime, and treachery. Because of its 1930s-1940s setting, the novel also delves into the realities of World War II, and the effects it has on Briony and her family. What’s more, it provides a striking, in-depth look at one girl’s journey from childhood to adulthood. Ian McEwan writes skillfully about the trials and tribulations of the human mind. But, I guess I should move on to the “howevers”.

Atonement is written largely through the eyes of our beloved protagonist Briony, whom we meet at age thirteen. It did take me a while to get into this novel (which you hear quite often, I know) because of its sugary prose and drawn out narrative. Don’t get me wrong, I’m a fan of a bit of floral language from time to time, but the beginning of this book actually made me hate Briony, just a little. To me, it was worth it to get past that and finish the book. As you’ll see soon, however (see, there’s the word!), not all of my friends agreed with that. It was hard to follow, and frankly a bit ridiculous at times, but the middle and end of the novel made up for that. My friends and I found ourselves having so much to talk about, from the complex themes and symbols to the development of our favourite characters, there was never a dull moment. Atonement provides a unique perspective on class differences in wartime England, a look at the life of a soldier in love, and of two sisters who struggle to look past each others’ faults. Atonement will surprise you, spark your curiosity, and it might make you a little bit bored (hey, I’m being honest! That’s what I’m here for, right?).

And with that, let’s go on to the discussion. Of course, if you haven’t read the novel and would like to, I will warn you that there are spoilers galore below. If you have read the novel, or know you aren’t interested or are interested but you’re one of those people that don’t mind spoilers (what’s wrong with you??), read on.

Our characters in today’s play are: myself (Mackenzie), Michael, Sarah, Emily, and Mira. Everything written here is transcribed from a recording of the discussion. Warning: It’s a bit ridiculous, we tend to get off-topic.

We began by having a discussion about how much of the story was actually real. There were a few conflicting opinions on this. As you know if you’ve read the novel, the entire book is written by our main character, Briony Tallis. This led us to the question…

Michael: Was Briony an unreliable narrator?

Sarah: Yes, she could have said anything and we wouldn’t know whether it was true or not. You can’t really tell whether Briony told the truth or not. She’s the only one whose perspective we see.

Mira: It has to have some kind of conclusion, it can’t just be that she made it all up.

Emily: But that’s something that I think makes it really good, the fact that you don’t know if it’s real or not.

Mackenzie: That was something we were talking about throughout the whole novel, we kept wondering whose point of view we were in, but it turned out to be Briony’s all along, which was a nice surprise.

Michael: What did you think about Lola’s ending?

Emily: I looked into this quote that said: “This, as they used to say, was the side on which her bread was buttered.” So Lola thought that it was in her best interest to stay with Paul Marshall. Do you think he still abuses her?

Mira: [quoting Mean Girls] “Is your muffin buttered? Would you like us to assign someone to butter your muffin?”

Sarah: Maybe that’s why Briony made a point of describing that she wears a lot of makeup when she’s older, maybe she’s trying to hide something.

Mackenzie: Do you think she knows [that Paul Marshall was the one who raped her as a child]?

Everyone: Of course she knows!!

Mackenzie: I don’t know, maybe she doesn’t have a clue. Maybe she’s repressed it. People can change their own memories; they start thinking of something one way and they believe that that’s what happened.

Mira: I can see that. She probably convinced herself that it was Robbie.

Sarah: I definitely think she knows, but she’s too scared to say anything. She’s doing it to protect herself.

Emily: I was thinking about how this relates to Life of Pi, actually. He [Pi] compares his family members to animals, and he does that as a coping mechanism to deal with the fact that he killed some of them.

Mackenzie: Yes! I like that. At the end of Life of Pi there’s the reveal [that they weren’t really animals], and in Atonement, there’s also a reveal [that Briony wrote the whole book].

Mira: I’m sorry, what? He killed his family?

Emily: I’m not sure, I think it was actually the cook or someone that killed his mom, and then he acted out to get revenge.

Mira: Oh ok, I mean that’s perfectly justifiable, I thought he killed his mom.

Emily: Yeah, well, people kill their moms, ok?

Everyone: -laughs

Mackenzie: That’s definitely going in the blog post.

Michael: What did you think of Leon’s ending?

Emily: Yeah, can we talk about how he had like four marriages?

Sarah: Did he go to war too?

Everyone: (that high pitched sound that people make when they don’t know the answer to something)

Emily: I liked it, I thought it was a nice ending for him. She was talking about how her family was so surprised that he was so dedicated to his kids.

Sarah: Because he had an absentee father! So maybe he wanted to make up for that.

Emily: And mother, pretty much. Neither of them was really involved with their kids from what we saw.

Michael: (seemingly out of nowhere, but we were all very intrigued) You know that when you recall a memory, you’re just remembering the last time you remembered it, not the memory itself.

Mackenzie: That’s one of the themes I picked up on, can you really trust your memory?

(Now we shift into talking about themes and symbols. One of the symbols we kept trying to decipher was water, and water imagery).

Emily: I looked into the water thing, guys, get ready. It symbolizes… atonement, washing yourself of your grief, cleansing your sins.

Mackenzie: Oh my god! How did I not think of that! (Earlier in that week, I thought that the water could symbolize the sort of middle ground that Briony always found herself in).

Emily: It can also mean destruction, like how water washes things away. And also, the vase symbolizes Robbie and Cecilia’s love, and how they were in love that whole time [before the story began], and on the first day that they came together, it broke apart. That’s why a piece of the vase broke!

Everyone: Ohhhhh!

Emily: And then in 1940, when Betty dropped the vase and it shattered, that’s when-

Mackenzie: They died!

Emily: Exactly.

Michael: Wow!!

Emily: And there was one line that I loved at the end, it was “like policemen in a search team, we go on hands and knees and crawl our way towards the truth,” and that’s what I think Briony was trying to do throughout the whole novel.

Sarah: So the reason she wrote this book is to atone for everything that happened in her life, the mistakes she made.

Mackenzie: I loved that scene near the end at the apartment, when they were all going head to head. It was really intense.

Emily: But then Robbie just showed up, and it was kind of anti-climactic.

Sarah: I agree, Briony was relieved that he was alive, which was pretty ironic because he actually was dead.

Mackenzie: Hold on, what?! He was dead? That scene never happened?

Sarah: Yes.

Mackenzie: She made that up?!

Sarah: Yeah.

Emily: That’s the first thing she said was that “If I had courage, I would have gone and done this.”

Mackenzie: No way!! (Way to be observant there, mate)

Emily: She lied about that, and like, the whole thing she wrote.

Mackenzie: I’m sorry, the whole book?

Emily: Yeah!

Mackenzie: (the world’s loudest laughter) Oh my god!

Sarah: That’s what we’ve been talking about!

Mackenzie: Well I knew it was her book, and her story, but I assumed there was some truth to it.

Sarah: It could all be fiction!

Emily: It did happen, but we don’t know how much of it was true.

Mackenzie: This could be way too meta for me.

Sarah: So that whole apartment scene is the atonement she wished she could have had, but never got.

Mackenzie: The book pretty much ends after Lola and Paul Marshall’s wedding then, when Briony returns to the hospital but the hospital blows up or something?

Emily: Right, the hospital had an explosion.

Mackenzie: What if she died! What if this is her ghost?

Sarah: That’s too meta for me.

Emily: And the book ends with this quote, “I like to think that it isn’t weakness or evasion, but a final act of kindness, a stand against oblivion and despair, to let my lovers like and to unite them at the end.” So some people may read this book and ask “How did it really end?” Well, it ended like this, and her lovers got to be together.

Sarah: Well that’s nice, but that’s how her book ended, not how real life ended.

Emily: I love this part: “No one will care what events and which individuals were misrepresented to make a novel.”

Mackenzie: It’s like we can’t even trust ourselves.

Sarah: And that’s why I think the crime with Robbie never even happened! Maybe it’s something else that happened.

Mira: But the whole book revolved around that, and it was all about Briony trying to make up for her mistakes.

Sarah: But you don’t know if it was really that or if it was something else. Something worse.

(Little interlude here, Sarah hates Briony’s character.)

Sarah: I hated that part where she was talking to the other nurse about “the horrors she’s seen” in the hospital. It’s not even close to an actual war! Briony’s always trying to play the victim!

Mackenzie: But you never see anyone happy. The only thing you ever see [when you’re a nurse] is people who are sick and dying, while in the war you still might see people who are holding onto their happiness.

Michael: How did you see Briony’s character change?

Mackenzie: Well one of the big themes of the novel is growing up, and we get to see the process of growing up with Briony. I definitely think her voice changed, I noticed a huge difference between her child self and her teenage self. It was more flowery and open language at first and then she became more sophisticated but harder to read.

Emily: When she was in the hospital she was just trying to keep busy and she was always washing her hands, trying to get rid of the guilt.

Mackenzie: Lady Macbeth!

Michael: What do you think was in the notebook from the beginning? She talked about how she had this one locked notebook full of her secrets.

Everyone: (stumped by that question)

Mackenzie: Maybe there was nothing in it, maybe she just kept it so she could feel like she had secrets.

Sarah: Do you think this [the novel] was written in the locked notebook?

Everyone: -laughs

Emily: Also what I’m confused about is the Trials of Arabella.

Sarah: Why was it relevant?

Emily: I looked it up and found that the Trials of Arabella is a mirror for the book, Atonement.

(The conversation continues while I look up this analogy, the topic is pretty much focused on how sad Sarah and Mira were that one of the twins died).

Emily: But I don’t trust it now. What if Briony misrepresented everyone in her book?

Sarah: Jackson and Pierrot were the only characters I liked in this book.

Mackenzie: Yeah, who was your favourite character?

Sarah: Jackson and Pierrot.

Michael: I think mine is Cecilia. She’s mysterious, she has this hidden part of herself, she has a different feeling to her.

Mira: …Not Briony. I like Cecilia as well. I was going to say Robbie, but, no, I didn’t really like his part- it was kind of boring to me. I didn’t like how fast it was going. It felt out of place. I feel kind of bad for him [Robbie] though, and that whole war part developed his character. Cecilia is good, she’s pretty cool.

(Emily having a nervous breakdown in her seat)

Mira: What?

Emily: I just, don’t even know what to think anymore, because you don’t know any of these characters! It would be like me writing a book about Sarah, and I hardly know anything about her. You would just know my perspective of her!

Sarah: If you want to write a book about me, it’ll be a lot worse than this one.

Emily: The only character we can really talk about is Briony! Because she’s the only one!

Mackenzie: I was going to say that she’s my favourite character because, without her, this wouldn’t exist.

(I told you about how Sarah hates Briony; Emily will defend her anytime).

Emily: But guys, she was so young and she made one mistake that haunted her for the rest of her life and she couldn’t even be forgiven for it!

Sarah: Yeah, but how long can you use that excuse for?

Mira: You’re Briony-biased, ok?!

Mackenzie: Brib-ased.

Mira: Briased.

Sarah: But she had so much time to make up for it and she didn’t!

Emily: Don’t you feel bad for her?

Sarah and Mira: No!

Mackenzie: What would you do? If you were in a similar situation?

Sarah: I would tell the police! Right away.

Mackenzie: Ok, think of yourself at age thirteen. I knew you at age thirteen and it was rough. What would you have done? You saw your cousin, and some guy that owns a chocolate factory attacked her. And then your sister, your hypothetical sister, you see a letter from some dude addressed to her saying that he wants to kiss her… What would you do?

Sarah: I would hold no grudges, I would tell them what I saw! That it was Paul Marshall.

Mira: Right, because Briony had no affiliation with Paul Marshall, no reason to protect him. She just wanted to spite Robbie.

Mackenzie: It was a rash decision.

Emily: But at the same time, she didn’t actually see that it was Paul Marshall. She just saw it was some guy and she thought she’d pin it on the guy she happened to have a grudge against.

Mackenzie: Briony, at age 77, sees the play that she wrote as a child, and she sees the parallels between it and the novel that she’s written. I think she realizes that she hasn’t come very far from where she began. And that’s true for everyone. We can push past our boundaries and grow from where we came, but we can’t forget where we started.

Thank you for reading my very first Book Talk! I hope you enjoyed it; we all had a lot of fun discussing this together. As always, happy reading!

All The Missing Girls – Megan Miranda


“The woods have eyes and monsters and stories. We are them as much as they are us.” – Megan Miranda, All The Missing Girls

Megan Miranda’s debut adult novel All The Missing Girls is a story that will take charge of your senses and lead you down a rabbit hole of secrets. We’ll follow the story of a young woman and her tumultuous past; from end to beginning.

Nicolette Farrell left her hometown 10 years ago and has begun a new life in Philadelphia – which includes a new fiancé and job, among other things. Just when Nic feels like she is finally letting go of her past and beginning anew, complications back home arise. She is forced to make the trek back to Cooley Ridge, North Carolina to fix up and sell her father’s house as his illness and memory worsens, and with that comes an onslaught of memories she hoped she had forgotten.

10 years ago, Cooley Ridge had been Nic’s beloved home. She and her friends knew every corner, every secret. When her best friend; Corinne Prescott, went missing, everything spiralled downhill. Upon returning home Nic learns that Annaliese Carter, the young girl that never stood out to anyone, went missing under similar circumstances. But Corinne was never found. And Annaliese still has a chance.

This book was, for lack of a better word, shocking. The story is told backwards, starting at Day 15 and ending at Day 1. As the reader, I would uncover a new bit of information with each chapter and have to piece it together myself- which I absolutely loved. However, this is not a book that you can put down for a while and come back to – unless you have a spectacular memory. I found myself going back to refresh my memory on what had already happened. The middle of the book felt like it was slowing down a bit, but once I got near the end, I really couldn’t put it down. I had to finish it in one sitting, because the twists and turns were so surprising. The ending left me satisfied, although I was hoping for one of those “all-is-revealed” chapters like you find at the end of some crime fiction books and films. I was left to figure out some of the connections myself, which did make me feel closer to the story.

There are plenty of tropes in this book; it has the typical small town feel where everybody knows each other inside and out, Corinne Prescott- the original missing girl- is the beloved “manic pixie dream girl”, though she does stray from the norm with her own background of dark secrets. Our protagonist, Nicolette Farrell, LOVES to say the word “damn”! (A lot!) who has trouble leaving her childhood behind, and Annaliese Carter is a sort of “loner-turned-villain” which we learn more about as the story progresses. I found that my opinions of different characters could change from chapter to chapter, especially since it was unfolding backwards. One thing in particular that I enjoyed about the character development was the exploration of depression and mental illness. The characters felt very real and down-to-earth, each with their own inward struggles and problems.  I probably would have believed that it was based on a true story, that’s how plausible the situations were to me. The men in the story play a huge role, and Megan Miranda includes very interesting insight on how they differ from their female counterparts.

I picked up All The Missing Girls after reading that it was a perfect summer read, and it really was. Even though I was reading it between busy days, I still found the time to come back to it because it really drew me in and made me think about human nature. If you want a story that will shock and delight you, Megan Miranda’s All The Missing Girls may be the right fit. I could even draw some parallels to other crime fiction novels such as The Cuckoo’s Calling by Robert Galbraith; which also deals with a mysterious situation and a whole host of suspects surrounding it. It challenges the ideas that you already have about human nature and family secrets, and will leave you thinking about how you would have reacted had you been in the same position.

Happy reading.

Thank you so much for reading my newest blog post after 10 whole months of silence!! The last year was a very busy one for me, and I was experiencing a lot of new challenges and stress. I’ve finally found my footing again and I’m ready to give this blog a new chance. It was created out of a whirlwind idea, and I was overwhelmed with the positive response I was getting, as well as the support for my friends. I’m ready to put even more effort into it and I will be alternating book reviews and short stories. I want to thank you personally for sticking around.


Room- Emma Donoghue


“People move around so much in the world, things get lost.”– Emma Donoghue, Room

Room by Emma Donoghue is a 2010 novel that recounts the story of a young family; torn apart and tossed aside by one horrific man. It tests the ideals of perfection and family bonds, but ultimately leaves the reader in a more refreshed and receptive state of mind.

Room is about a 5-year old boy named Jack. Jack and his Ma live in Room, a converted shed with a password-guarded metal door.  It may not seem so luxurious, but it’s home. In Jack’s case, now that he’s 5, he knows everything there is to know about Room, from its weathered bed, to the snake made of eggshells that resides beneath it, to the single source of natural light, Skylight, and so on. From a distance, he may seem like an average kid. He loves to draw, sing, watch Dora the Explorer and do gymnastics. But despite his mother’s best efforts, he’s been deprived of a real childhood. Jack’s five years of wisdom come from inside the four walls of the shed, and he’s hit with a ton of bricks when he realizes that there is a whole world outside. Dora and Boots alone can’t teach him about the world. As far as he’s concerned, the only real, tangible things exist in Room. When he finally escapes the clutches of Old Nick, his captor, Jack has a lot of trouble figuring out the real world. It’s the essence of a self-discovery novel and it’s thrilling and beautiful.

Jack’s perspective is emotionally draining and absolutely enlightening. The story is somehow innocent and painstakingly profound all at once, and it is the inseparable bond between Jack and his Ma that holds the whole story together. Reading this novel I felt myself transforming as I flipped each page. After finishing, I noticed myself thinking in a different, more open-minded fashion. Everything that I couldn’t see before; the way the light catches on certain things, the dynamics of peoples’ laughter, suddenly became clear. I am entirely grateful for this experience of a story, because that’s what it truly is, and I would recommend it, hand over heart, to anyone and everyone. I truly hope that this novel goes down in history as an inspirational, heartbreaking work of art. The characters are so well-developed and as the reader I became completely invested in their growth, struggle and pain. It’s an awe-inspiring story of self-discovery, self-hatred, self-confidence and self-everything else.

This book impressed me, as it is clear to see, with its extremely well-executed plot and detailed descriptions. It’s very hard to visualise something so small, such as Room, when you’re used to thinking big all of the time. We are (or at least I am) always told to think outside the box. But when it comes to Room by Emma Donoghue, we have to revert back to small ways of thinking, in order to understand the characters (especially Jack), and to learn along with them. This story is also very loosely inspired by the Fritzl case, a real-life event where a father held captive and sexually abused his daughter for 24 years. Room is not nearly as tragic as this case whatsoever, but the parallels between the two are absolutely evident. Emma Donoghue has expressed that saying Room is based off of the Fritzl case is far too strong, but of course the reader can see how she may have been inspired.

I was also very excited to find out that a film has been made based on this story. I am thrilled and cannot wait to see it, I have faith that it will look excellent as a movie. If you’re someone who likes to read a book and then watch a movie about it, or vice versa, go pick up Room as soon as you can. Even if you cannot see the movie (if it’s not available where you live), I strongly suggest giving this one a try. Even if you’re usually not a big reader, although I don’t know why you’d be here if you weren’t, no judgement, this story has taught me a plethora of unforgettable lessons, through Emma Donoghue’s masterful character voice and touching character relationships. Thank you for stopping by, and happy reading. xoxx

The Magician’s Lie – Greer Macallister


“But this is life, and when bad things come to us, there isn’t much choice. You survive them or you don’t.” – Greer Macallister, The Magician’s Lie

Greer Macallister’s The Magician’s Lie will tempt and hypnotize you by the way of its charming characters. These characters cheat, lie and deceive, but ultimately grab our attention and keep it locked down until the last page is turned.

In The Magician’s Lie we first meet The Amazing Arden, a promising young illusionist who is working in the small town of Janesville. After her show, her husband is found, dead in the box used for her coveted ‘Halved Man’ illusion. Arden is nowhere to be found. That is, until Officer Virgil Holt stumbles across her in a small restaurant, taking her back to the station for questioning. Arden launches into the story of her past, a devastating, spine-chilling tale of love, loss and woe. Officer Holt soon realizes he’s gotten himself into something a lot more complicated than a crime of passion.

The Magician’s Lie takes place over one night, somewhere in the 1900s I believe, which I found to be very effective. Chapters would start in the office, with a bit of tension and dialogue between Officer Holt and Arden, and then she would continue her story. The story aspect was most intriguing to me, the suspense really worked and the recurring character that is supposed to be a bit frightening really was. I found that once I sat down and began reading, I couldn’t stop for a while, but I must tell you what this story is. It’s a love story. I should have known that when I saw its comparisons to Water for Elephants, but, I found out the hard way. Now, that, of course, isn’t such a terrible thing if, unlike me, you usually enjoy love stories or the romance genre. But what I was hoping for was some shocking twist, a lie perhaps or a great deceit. Don’t get me wrong, the book was enjoyable, in the sense that it was a well-written tale with a good strong conflict, and all the loose ends were tied together in the final chapters. I just wouldn’t recommend it to anyone who disliked stories such as Water for Elephants or The Night Circus, as there are many similarities between these three stories.

Aside from my initial disappointment with the novel’s ulterior motives, I noticed myself reflecting on some of the themes. The novel deals with heavy subjects, such as sexual and physical abuse, poverty, and manipulation. I’d like to thank Miss Macallister on that respect, for creating a headstrong female character who does not submit to the abuse like I’ve seen so many times before. Please enjoy this book for what it is; a love story, but a refreshing one, with an ambitious, strapping young woman at its helm. Thank you for stopping to check out this review!

Happy reading! xoxo

A Darker Shade of Magic – V. E. Schwab

A Darker Shade final for Irene

“I’d rather die on an adventure than live standing still.” – V.E. Schwab, A Darker Shade of Magic

What do you get when you cross aspiring pirates with black-eyed magicians who can travel through multiple universes? A mess. A huge, tangled web of a mess, but a beautiful mess at that. That’s  A Darker Shade of Magic in a nutshell for you. Let’s cut this apart, shall we?

V.E. Schwab’s A Darker Shade of Magic is a heavy multiversal fantasy novel. It is set in four Londons, all separated by magic. The first, Grey London, is essentially the plagued, dull Victorian London we all know of. The second, Red London, thrives on magic, is teeming with life and is what our protagonist, Kell, calls home. The third and most eerie London of all, White London, is starving, desperate for magic. It is governed by the bloodthirsty, all-powerful Dane twins; Athos and Astrid. It is also the home of Holland, another central character. Finally, Black London. A forgotten land which let magic consume everyone and everything within it.

Now that I’ve mapped everything out a bit for you (because let’s face it, I was hopelessly confused all throughout the beginning of this novel), let’s dive straight into the heart. Kell, the main character of this novel, is a multi-faceted magician or Antari, as it’s known by some members of the magical community. In other words, he was born with a bit of magic already coursing through his veins, and can still travel through the closed doors between the Londons by the use of his blood magic powers. The only thing is, he is one of two Antari left, who weren’t killed in the purging of magic. He and Holland, an Antari from White London, can travel through these worlds nearly effortlessly, but it just so happens that they definitely do not get along.

One night, in a special tavern that exists in all three Londons, Kell receives a package from a frenzied patron. The package contains a stone. A jagged black stone that seems to come alive in his hand. Kell soon realizes the danger attached to this stone. After all, what damage could one do if it were to fall into the wrong hands? A stone of pure, unadultered magic lies pulsing in Kell’s pocket. Then, Kell meets Lila. Lila is a young girl who disguises herself as a man so that she may freely roam the streets of Grey London without a care in the world, and possibly pick a pocket… or several, on the way. Simply acting in character, Lila steals a magical stone off of Kell’s person and disappears, causing Kell to, understandably, panic. After tracking her down it becomes clear that Kell will not be able to get rid of her. Their meeting also comes with a test of the stone’s real power. When Lila can make something appear out of thin air just by holding the stone and thinking even in Grey London, a world where magic is dead, Kell knows that this stone is a part of the ruthless Black London, and that he’ll have to risk everything to get it back where it belongs.

That summary didn’t nearly do the book justice, but admittedly it’s very hard to talk about without spoiling some key details, conflicts and relationships between characters. I was elated to read this one, as I’ve already read Vicious by V.E. Schwab, and if you read my review for that, you know that I was utterly blown away by her writing. Soon after picking this book up, I realized that it was an extremely indepth fantasy book, and I wondered whether I would be comfortable with it, or if I would just get confused and lose track of all the characters, like I did when attempting to read Lord of the Rings. The only fantasy books that I’ve read that are comparable to this, would be the Harry Potter series, of course, which is my favourite book series ever but a lot less sophisticated than A Darker Shade, when it comes to the magic element. So if you’re like me and you usually turn your nose up at this kind of sorcery and trickery in a novel, give A Darker Shade of Magic a second chance.

A Darker Shade of Magic started slow, with the obligatory introductions to all of the settings and characters, but once I got halfway through, I finished it in a day. It’s very gripping and exciting, with a cliffhanger at the end of nearly every chapter. I was interested in seeing how the writing in this book compared to that in Vicious and I came to realize that V.E. Schwab is an incredibly versatile author. Aside from the punches of witty humour present in both books, I couldn’t tell that they were written by the same person. Vicious deals with a myriad of social and political topics, while A Darker Shade is much simpler (and has a lot more gore, I might add).  I loved most of all that gender stereotypes were disregarded in A Darker Shade of Magic. There are two main female characters; Astrid Dane and Lila Bard, and they both kick fictional ass. I can’t think of one instance where either of them were sexualized unnecessarily. It’s a horrible pet peeve of mine when a character is only relevant in a story for being somebody else’s significant other. That does not occur in either of V.E Schwab’s books that I have had the pleasure of reading.

A Darker Shade of Magic was a fantastical breath of fresh air, and it was wonderful to step out of my comfort zone for this book because it was well worth the read. Like I said previously, it’s a bit tiresome in the beginning, and it’s not something that I think I’ll be remembering for a long time, but in the moment, it’s a thrilling ride which I hope some of you will opt to take. The sequel, A Gathering of Shadows will be out soon. I’ll probably be reading that to see where the characters find themselves next, but I doubt that I will review it because the spoilers will be difficult to avoid. Anyway, thank you so much for reading this review! Happy reading!

Lost & Found – Brooke Davis

“A fact about the world Millie knows for sure: Everyone knows everything about being born, and no one knows anything about being dead.” – Brooke Davis, Lost & Found

Lost & Found by Brooke Davis highlights and showcases the innocence of youth, as well as the real complexity of children that everyone else seems to ignore. It’s a story of loss and hope told from several perspectives. Here are my thoughts and opinions on Lost & Found by Brooke Davis.

Lost & Found is a quirky, realistic fiction novel set in Western Australia. The protagonist, Millie Bird, is a child who is fascinated by death and keeps a journal filled with all of the dead things she’s seen. Written across two of the pages, is her very own father. After Millie’s father dies, her mother takes her to the mall, tells her to sit underneath the underwear rack, and then walks off. Millie’s mother has abandoned her, and manned only with her backpack and her dead things journal, Millie sets off on a journey to find her.

She meets on her journey two key characters; Karl the touch-typist, an elderly man who longs to be back in the past, and Agatha Pantha, a pessimistic old woman who takes every opportunity to criticize herself or others. Millie weaves her way through obstacles in a desperate attempt to find her mother. On their journey they face many consequences, which include but are not limited to, holding a funeral for a bug, stealing a bus, getting thrown in a nursing home, and getting stranded in the Australian desert. Lost & Found deals with topics that form the very skeleton of human nature. Millie learns to cope with death, loss and grief. Our secondary elderly characters learn to cope with the inevitability of time and the awkwardness of sexual attraction. It’s a story about life, love, growing up and learning from your mistakes.

liked this book. It was slow, simple and quite endearing. The only thing I loved was the uniqueness of the characters, no archetypes or stereotypes were used. Other than that, I really wanted to enjoy this book a lot more than I did. The plot had potential, and actually, occasionally it did deliver on that potential and there were a few chapters or moments which I really connected with. The thing I had the biggest problem with, however, was the ending. It felt extremely rushed to me. The ending was not final and it left me with too many questions, and not in the way that a good book should. It is all a matter of taste, though. I generally don’t go for this sort of book, but it was a gift from somebody and I am glad I read it. If you are more of a fan of realistic fiction than I am, and this sounds promising to you, go for it! It’s wonderful in the sense that it’s surprisingly cerebral. Like I said, I enjoyed a few chapters, and those were the chapters that got me thinking about life. Thank you so very much for reading this short and (albeit not so) sweet review.